Bernhard Osann - Neo

Unveiled as part of the Pure Talents Contest at this year’s IMM Cologne furniture fair, Neo is a light by German designer Bernhard Osann.  Consisting of a curved rod, this simple light leans against a wall and can be rotated in order to create different effects.

The Neo light evolved out of a previous design of Osann’s after he accidentally broke its base.  Whilst trying to find another way with which to support the standing lamp, he bent the steel rod in two places which allowed it to rest against a wall.  The minimal shape of the light allows it to be rotated which in turn offers either direct or indirect light and eliminates the need for a lampshade.

The lamp uses LED modules which are embedded into the profile of the upper part of the rod. A strip of hidden cooling vents on the reverse of these modules prevent overheating.  Silicon has been used for the points where the lamp makes contact with the wall and floor, allowing a secure standing position. 

Osann was born in Augsburg in 1979.  After completing training as a carpenter and studying sculpture at the Wilhelm-Wagenfeld-Gestaltungsschule he went on to study Industrial Design at the Academy of Fine Arts in Hamburg.  Based in Hamburg, he designs lighting and furniture for companies such as Nils Holger Moormann, Absolut Lighting and Omikron Design Milano.

For More visit: Dezeen

McCaffrey Collection

McCaffrey Collection is a new footwear and accessories brand from Glasgow-based designer Robert McCaffrey. With over 18 years worth of senior design experience and having previously worked with several high-profile luxury fashion and sports brands including LVMH and Adidas, McCaffrey’s new solo offering of goods are beautiful, functional and high quality.

McCaffrey’s first collection consists of eight shoes and eight accessories, including bags and gloves. Design inspiration comes from the bicycle, as McCaffrey puts it, “An ingenious invention which has transformed the world and become a positive symbol of adventure, ecology, health and wellbeing.” Shoes feature integrated pedal pads to ensure reliable grip and concealed Luma reflective strips in the heel counter that provide high visibility in low light conditions. Accessories feature McCaffrey’s signature quilting that pays tribute to leather handlebar tape.

McCaffrey Collection is now available exclusively through Mr Porter.

Imagery courtesy of Richard Gaston. 


Architecture Bar

The Architecture Bar is a portable steel framed bar that was primarily designed for the launch of the Architect IPA in 2016.  The bar was designed by Glasgow based Architecture Practice Dress for the Weather in collaboration with Glasgow Institute of Architects, Drygate, Graphical House and Design Engineering Workshop.

Following from the practice’s Pub Typology research project that focused on the evolution of pub design.  At the heart of the bars design lies three main themes, display, communication and experience.  Made from five steel frames that can be bolted together in numerous configurations dependent on the installation requirements.  Each piece is angled and trimmed from a rectangular form to highlight features of the bar and to ease use by bar staff.  There is also space for display of products, bar fridges, storage, glass hanging and cash register.  Shelves and chalk boards can be added once the frame is in place.

Dress for the Weather work in both Architecture and Public Art and aim to produce work that engages with and responds strongly to it’s context.  Priding itself on being an open and inclusive practice, Dress for the Weather also encourage others to become engaged through walks, talks, workshops and education.  Previous clients include Architecture + Design Scotland, NHS Lanarkshire, Glasgow School of Art and National Trust for Scotland.

Malka Dina

More than her nonsensical childhood family nickname, Malka Dina is an evolving collection of home wares, jewellery and art by Brooklyn based artist Elana Noy. After a few years of visual merchandising Noy decided to design full time in 2014 following a wheel throwing class that she took in Willamsburg, stating that “I like this too much not to do it every day.”

Her latest collection for New York based retailer Still House is a step forward in the eyes of those who have a love of minimal chic. “I tend to gravitate towards natural colours” says Noy and this is evident in her collections from the natural toned textured bubble glazes of the Dew collection to the simplistic curves of the Galilei collection. The Triassic collection is sculptural and refined with a deep black glaze that is reminiscent of Japanese ceramics.

Noy also works with metal, designing a range of jewellery pieces including earrings, hair pins and rings that reference the curvature of the Galilei ceramics.  


Oslo based studio StokkeAustad have designed a range of furniture for Norwegian brand Elementa.  The adaptable UN Divided furniture rests on trestle bases made from tubular steel on which a range of different shaped and sized tabletops can be placed. The furniture is modular and allows for expansion: several trestles can be combined into a storage unit or shelving.

Originally designed for workers that move between offices or companies that have a quick rate of expansion, UN Divided is, as StokkeAustad’s Jonas Stokke puts it, “Simple, functional and adaptable” and addresses the fact that “Workers of today do not need loads of closed storage or complicated cable management”. The system is quick to assemble and reconfigure as the users' needs change. Outside of the office environment the system would not look out of place in small living spaces or rental properties.  

StokkeAustad design with a methodical approach which is focused on revealing the essence of each challenge which in turn allows them to create a holistic and durable solution.  Previous projects include Patch, a series of acoustic panels designed for textile producer Gudbrandsdalen Uldvarefabrikk and Luster, a family of candle holders designed in 2014 for Menu.

Residents: Inside the Iconic Barbican Estate.

Anton Rodriquez is a London-based photographer specialising in fashion, architecture and portraiture work. Born in Germany but raised in Liverpool, Rodriquez' clients have included Folk Clothing, Cereal Magazine and Several, however his latest project is perhaps his most intriguing to date. 

'Residents: Inside the Iconic Barbican Estate' gives us an alternative view into one of the most extensively documented housing projects in the world. The focus here lies on the residents: their stories, backgrounds and opinions sit alongside a striking collection of photographs highlighting the brutalist interior design quirks that give each apartment its own sense of individuality (not to mention the resident's impressive anthology of classic furniture).

The success of the imagery doesn't simply lie in the subject matter. A resident himself, Rodriquez' framing and exclusive use of natural light - the availability of which is testament to the architectural integrity of the apartments - play important roles, as does the layout design undertaken by EACH London.

Describing the foundations of the project, Rodriquez explains, "I wanted to allow the public to get a rare glimpse of what goes on within the Barbican Estate, as you don’t often get to see it from the inside. The best part was meeting my neighbours! I’ve made so many friends from photographing other residents and it’s been a great way to meet like minded people. Also getting to see all the different layout of flats, there are supposedly over 100 different flat types."

Purchase the book here.


Bern based Zimoun utilises simple, functional, industrial (and often everyday) components to produce large scale sound installations with an architectural edge. The use of cardboard, paper bags, and styrofoam have all featured heavily in previous works. It is perhaps the artist's prevalent use of DC motors that has perhaps become his trademark however - all spinning at alternative times to create both visual and audible impact. Repetition is key to the work and provides for an immersive experience. 

Self taught, Zimoun has exhibited comprehensively throughout the world and has undertaken briefs for companies such as Sennheiser.

Mujo NYC

MUJO NYC is a Brooklyn-based contemporary jewellery brand by Simon J Zhang. Frustrated with cheap, mass-produced jewellery and gaudy designer pieces, MUJO was founded in 2015 as a minimal, material-led alternative.  

Guided by clean and balanced design and inspired by the industrial character of New York, MUJO pieces are handcrafted in either brass or sterling silver. Zhang says, “We create essential pieces that are made to wear handsomely with age and last a lifetime.”

Instrmnt are particularly fond of the 003-X1 ring with its clean lines and simple form, and the stylised geometry of the 003-X2 Signet Cuff Bracelet. All pieces are designed and manufactured by hand in MUJO’s design studio. Their most recent look book ‘003 Annex’ - shown below - gives an insight into the emphasis placed on aesthetic in both the MUJO brand and art direction.

Kovac Family - L25 Lamp

Stockholm-based multidisciplinary studio Kovac Family was formed in 2012 with sustainability at its core. Their design and manufacture is based in Sweden using the most eco-friendly materials and methods available. 

Taking inspiration from nature’s forms, the L25 lamp from Kovac Family is made from twenty-five pieces of FSC sustainable oak,ash or birch and comes flat packed for the user to assemble.  

Believing that “it’s time to learn from nature’s well-adapted strategies to create a more sustainable human approach to lighting”, all proceeds from the lamp will go towards their biomimicry-related project which aims to “produce light in a wallpaper thin, flexible material using a biomimetic method” with no electricity involved.

The Arrivals

The Arrivals are a New York based brand specialising in the design and production of androgynous minded outerwear. Originally launched by architect Jeff Johnson, he connected with Kai Vepuri (an angel investor whose previous includes Warby Parker and Artsy) through a mutual friend in 2007 and the pair came together to push the brand forward. 

While neither have a background in fashion per se, the combination seems to be working. Johnson has said that transferring the skills from buildings to jackets has not been as great a leap as you might imagine: “I was very lucky to find myself in an architecture practice that was so cross-disciplinary, that touched on so many different elements of design,” Johnson says, “It was such a nice place to realise the underlying principles of making good design better... it’s the very simple things that you’re taught: what is the starting function, what is the material that you’re going to work with, what is the silhouette, what is the construction going to take, what are the elements involved, what is the hardware like. Really, those elements transcend between any designing, it’s how we approach everything we do, whether that’s web design, the packaging, the product.”

One of the main goals for The Arrivals is about balance says Vepuri: creating beautiful design at a reasonable price, with their designs range from $200 - $700.

The Arrivals recently undertook their first collaboration, pairing up with famed architecture and design firm Snarkitecture, whose previous work includes spaces for Kith, Cos and Beats. The collaborative piece takes the form of a monochromatic poncho and features laser cut, heat welded inner detailing with a minimal and sculptural exterior.


“We are attempting to create the first well-designed consumer objects of the third industrial revolution” is how Joe Doucet describes Othr, his venture alongside Dean Disimone and Evan Clabots. 

Launched during Milan Design Week earlier this year, Othr follows a host of designers who are taking both production and retail into their own hands.  The debut collection features twelve small products which are 3D printed using a range of materials including steel and porcelain and designed by names such as Claesson Koivisto Rune, Sebastian Bergne and Philippe Malouin.

Believing that 3D printing can be used to create desirable objects that people actually want to have in their homes, Othr follows three key principles.  Objects must be useful, aesthetic and unique.  Othr launches new products every fortnight, a process which is enabled by the fast development times which are possible with the technology used.  The objects do not physically exist until the customer places an order and each is embedded with a unique number which reflects the customers participation in its creation.

Studio Kyss

Working as Studio Kyss, Kenny Yong-soo Son is an object-designer and maker from South Korea, now based in Sydney, Australia.  He graduated in 2010 with a BA (Hons) in Visual Arts from The Sydney College of Arts with a major in Metal & Object, followed by a Masters in Design at The University of Technology in Sydney where he majored in Object & Accessories. Studio Kyss was launched in 2013.

Originally setting out to be a jeweller, Yong-soo Son discovered that he was drawn to creating objects that belonged on desks or tables rather than being worn on the body.  Making small scale pieces from concrete, copper and brass, with a subtle nod to works by Futagami but with a delicate style of their own, his work is not only concerned with the aesthetic of the object but also with the connection with the user, ideally creating the same level of intimacy that he has whilst crafting them. He draws inspiration from everyday encounters and the value of travel.

Depending on how the each piece is meant to work, Yong-Soo decides upon whether the process should be undertaken through industrial means or on the work bench. In either case, all work is finished by hand and thus he is never detached from the beginning to the end.  Work is divided into three distinct categories: Limited Edition, Exhibition and Batch Production.  This allows for freedom of working with smaller quantities or even one-offs.

Euphrosyne Andrews

Euphrosyne Andrews is a graduate of The Royal Drawing School and Glasgow School of Art. Her works have been exhibited at the RSA New Contemporaries, the VAS Annual Exhibition and many other institutions over the past four years.

Andrews works in printmaking, paying careful attention to the role of the decorative within fine art. Applying a historical view, her work is a testament to production and technique. During her time at The Royal Drawing School she spent time practicing observational drawing as well as drawing from memory, using colours or motifs as inspiration. By working in this way she has explored form, composition, space and the colours of the everyday.

Andrew’s work blurs the boundaries between applied and fine arts. During her ‘Private Abode’ exhibition, pieces printed on both paper and fabric were displayed together, creating a conversation between them and exploring the way in which galleries use textile pieces as a vehicle for paintings. This pairing also brings to attention the relationship between traditional processes and modern digital methods that allow artists’ multiples to be created.

Formerly Yes

Formerly Yes is a minimal home store run by husband and wife team Brad and Jenna Holdgrafer.  Located on Broadway in Downtown Los Angeles opposite the Ace Hotel, the store offers items for the space-conscious. Using the idea of “buy less, but better” their web store evolved into a bricks and mortar retail space which opened in July 2015.  

The space is light, minimal and refreshingly simple, pairing custom made oak tables with large green planters. Items such as books, magazines and stationery are paired with a clean note on white paper that informs customers of the background of the item as well as the price. Highlights among the inventory include a beautifully simple bottle opener by Takenobu Igarashi and a concrete and glass vase by Menu.

Trying to answer the question: “How can we find a way to not just balance work and life, but blend them into its own simple lifestyle?” Brad and Jenna thought about what products they wanted to carry, eventually coming to the conclusion of only stocking items that they would want in their own home. Products not only have a function but are designed with the end user in mind.


Derek Wilson

Derek Wilson is a Belfast based ceramicist who focuses on making a diverse range of contemporary objects from the functional to the sculptural.  Although his practice always starts with his predominant tool of the potter’s wheel, his work is never fixed, with a mix of contemporary ceramics and conceptual art.

Blending abstraction with the familiar, the pieces reference restraint, containment and minimalism.  His search for simplicity draws inspiration from diverse subjects such as mid-century British Constructivism to the history of ceramics in Asia.  Using celadon glazed porcelain and stoneware, his pieces tend to placard in groupings - an attempt to evoke ideas of community and sociability.

Keeping the fundamental idea that his work is made to be used in everyday life his aim is to push the boundaries of traditional practice and art forms by playing with aesthetics, material and process.

Elisa Strozyk

Berlin born designer Elisa Strozyk’s ‘Ceramic-Surface-Reflections’ is a selection of objects featuring ceramic surfaces merged with items that serve a function, such as mirrors and wooden shelves. They take the form of both wall mounted and free standing objects. 

Using metal oxides and powdered minerals which are kiln fired to produce various glass-like finishes, Strozyk developed a specific process in which to apply the glaze to clay: by rotating the surface and applying a blowing technique, liquid glazes pool and mix together to leave traces of movement, creating smoke-like patterns that also give the surface the appearance of marble.

Strozyk studied a Masters course in Future Textile Design at Central Saint Martins in London after her Diploma in Textile and Surface Design at KHB in Berlin.  She was awarded the first prize in the Salone Satellite Award in 2011 and was part of the SIMPLE-die neue Einfachheit exhibition of new simplistic design at the designforum in Wien last year.

Maissi Bench - Wesley Walters & Salla Luhtasela

The Maissi Bench is a functional and minimalist piece of furniture by Wesley Walters and Salla Luhtasela.  Made from oak, the piece was created for an exhibition of Finnish design that took place in Mexico.  Drawing inspiration from the handrails, metal bed frames and machinery of Helsinki, Walters and Luhtasela have designed a piece that combines both Mexican culture and the simplicity of Nordic furniture.  Although challenging to build it is structurally robust and nods to the past without being overly sentimental.

The removable seating pad made by textile designer Kajsa Hytönen resembles the form and texture of blue corn, which has culinary and mythological significance in Mexican culture.

Walters and Luhtasela began working together during their studies at the Aalto University School of Arts, Design and Architecture.  Luhtasela is currently on an ceramics exchange in London and Wesley is finishing an MA in furniture design.  The duo are working on a ceramic container with a well-sealing lid based on a utilitarian form.   

Photos: Chikako Harada

22 [tu:tu]

22 (tu:tu: , or two-two) is a wonderfully simplistic hybrid tube amplifier from Japanese designer Koichi Futatsumata, founder of Case-Real. Released by Japanese company Elekit, the 22 is made from aluminium with minimal controls and ports, just two control dials for volume and tone, a single pair of RCA jacks for input and four binder-posts for connecting speakers. The two valves that are nestled on top provide a warm, full sound.

Futatsumata has carried out numerous design activities with a main focus on spatial design. His work also included furniture and product design as well as architecture and landscape. Born in Kagoshima, Japan, he started Case-Real in 2000 after graduating from the Department of Engineering and Architecture at Kyushu Industrial University. Case-Real provides design solutions for space, architecture and furniture. In 2013 Futatsumata set up Koichi Futatsumata Studio which is a development into product design. His architectural works include Aesop’s Stellar Place shop in Sapporo and a renovation of an abandoned house which acts as a dorm for nearby restaurant Il Vento (pictured).

Katie Paterson - Future Library

Berlin based artist Katie Paterson’s new project Future Library is a 100-year long adventure into the realms of publishing, longevity and trust.  The idea is relatively simple, for one hundred years a writer will contribute a text which will stay secret until 2114.  Visitors to a purpose built room within Oslo’s New Public Deichmanske Library will be able to see the author’s manuscripts, read the authors names and the titles but never the full text, a test of both patience and trust.

In an area of the Nordmarka Forest outside of Olso, one thousand trees were planted which will grow to supply the paper on which the books will printed onto.  Every year from 2014 to 2114 a writer will be commissioned to contribute a new text.  An eight-person trust will guide the project into the future.

Paterson has previously worked with specialists from a range of fields including astronomy and nanotechnology to create works that are poetic and philosophical.  Her work deals with both the tangible and intangible objects that have existed for longer than mankind, making us consider our place on Earth in the context of geological time and change.  Previous projects have included a map of all of the dead stars in the universe, a broadcast of a melting glacier live to a visitor on a mobile phone in an art gallery and a custom-made light bulb to simulate moonlight.

Mamnick: In depth with founder Thom Barnett

An article by Calum Gordon


The task of explaining what Mamnick is exactly is not an easy one. For all intents and purposes, it is a clothing brand, sort of. But more accurately, it is a vehicle for Thom Barnett to make whatever he feels like making on any given day – and that could be a Japanese-made shirt, a cycling jersey that pays homage to the Tour de France, or a stainless steel chippie fork. All of these have been products released by Mamnick since its launch in 2012. Unconventional? Perhaps, but never dull.

Mamnick Chip Fork

Mamnick Chip Fork

“I studied fine art and played in a band, but none of it was really generating much of income, so I thought: ‘right I’ll do something creative that’s going to keep me interested as well as make ends meet,’” explains Barnett on what led him to start his Sheffield-based brand. It started out with a simple mantra: “One thing at a time, as beautiful as possible.” It is something which very much remains at Mamnick’s core today, as seasonal collections are eschewed for a steady release of product throughout the year.

Sat in his Sheffield studio, there is a frankness to Barnett that is hard not to find refreshing –and it translates into Mamnick. For all its refined, brushed Japanese cotton or vegetable tanned leather, the label carries a distinctly northern, no-bullshit sensibility – what you see is generally what you get. “I didn’t just want to pull any old brand out me arse,” he chimes. “I wanted to do something that was close to what I was interested in. I suppose it is maybe an overused phrase – growing things organically – but it literally has grown from designing things like a money clip, a tie slide and a shirt.”

Fiercely proud of his hometown of Sheffield, Barnett’s output has regularly utilised stainless steal (Sheffield’s main export), while working with select British and Japanese manufacturers to produce his clothing. Throw in his love of cycling and former life as a vintage clothes dealer, and it makes for a heady aesthetic mix. “At the minute, I’m designing a 3 piece woman’s jewellery collection, which is probably going to throw a lot of people off considering I’ve been doing menswear the past few years,” he admits. “But a lot of it is just trusting my own instinct. That collection came about through a conversation with a close friend. She’s been designing jewellery and I said maybe we should do something.” 

In the past year, he has worked with Clark Originals and ultra-stylish Rapha on bespoke steel pieces, bringing together his love of British manufacturing and cycling. Barnett’s collaborative efforts typically stem shared ideals and a simple conversation. The same can be said for the brand’s collaborative watch with Glasgow-based Instrmnt later this week. 

"Kings of Pain" bottle opener in collaboration with Rapha

"Kings of Pain" bottle opener in collaboration with Rapha

“I saw the synergy between us being new start-ups and the sleekness to what they do,” he says. “I did a talk regarding Mamnick in Sheffield – something to do with the arts council. After, people stuck around and we went to the pub for a few drinks with these students who were product designers. They were talking to me about Kickstarter and someone mentioned Instrmnt. I made a note of it in my phone and about a week later noticed the note and went on their website. I thought it was great, so I reached out to them. It all went really smoothly.”

The watch itself riffs on a classic Instrmnt style and a navigation theme, owing to Barnett’s love of cycling and the outdoors. A brass second hand gives a subtle compass reference, while a pointed minute hand is a nod to the Peak District mountains from which the Mamnick logo is derived. In terms of collaborations, it is wonderfully subtle and fittingly minimal. It is not your typical collaboration, but neither is your typical British brand. 

INSTRMNT Mamnick 1 SM.jpg
Instrmnt 01-MNK

Instrmnt 01-MNK

Part of the appeal of Mamnick has always been that it feels unencumbered by the whims of fashion or the suffocating pressures of a place like London – Barnett very much moves at his own pace. But even more impressive is how he has managed to turn this passion project into a successful business in such a short space of time, launching a flagship store in Tokyo last year, as well has producing a premium Black Label collection in Japan. 

“That started right at the beginning when I was dealing in vintage,” he explains. “I had some private clients who were coming round to my house. I know it sounds a bit daft, I was literally just living in a flat with my girlfriend but people knew I could get my hands on interesting gear. I met these two Japanese guys and I was selling bits of UK vintage to them. So when I started Mamnick I said to them, ‘I’ve got this brand, all manufactured in the UK, do you think there’s an audience for it in Japan?’” 

He would ship them half of the shirts he first produced to their shop in Shibuya, with them selling out in a matter of weeks. “After that, they asked me to do some more. So we rolled it out like that – every time I did a production, I’d send some out there,” he says. “In Shibuya there’s loads of vintage, but it got to the point they were selling more of the new Mamnick stuff,” he explains. “So they then approached me and said why don’t we do a Mamnick store out here?”

Again, it was not a conventional first step for a fledgling brand, to set up a retail outlet on the other side of the globe, but it the world of Mamnick, you begin to expect the unexpected. And it seems to be working. 

Mamnick's Tokyo Store

Mamnick's Tokyo Store

“It’s just instincts really, and dialogue,” he says modestly. This afternoon, Barnett is going to visit a manufacturer to enquire about producing a Mamnick knife, he tells me. Tomorrow, he’ll probably wake up with a new idea and begin work on that. It could be anything, but it will be distinctly Mamnick. 

Instrmnt 01-MNK is available from the week commencing the 23rd of November. Strictly limited to 150 units it is available directly from Instrmnt or via Mamnick

About the author.

Calum Gordon is a UK-based writer who specialises in fashion and contemporary culture. As well as co-authoring the book Contemporary Menswear, he has contributed to the likes of Hypebeast Magazine, Highsnobiety, The Rig Out, Breaks Magazine and FHM.  Since 2013, he has also been acting as Editor in Chief of The Reference Council.